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      <title>Mac Love, Not War</title>
      <link>http://macrory.com/blog/</link>
      <description>Every hour in front of a computer is an hour away from your life.</description>
      <language>en</language>
      <copyright>Copyright 2008</copyright>
      <lastBuildDate>Mon, 07 Jan 2008 00:00:01 -0800</lastBuildDate>
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            <item>
         <title>Macworld 2008 San Francisco</title>
         <description>Every culture has its holidays: the oscars, fashion week, March madness or the world series. For Mac lovers, each December brings a frenzy of rumored speculation about our Superbowl, the Macworld Conference and Expo which takes place each January in San Francisco&apos;s Moscone Center. This year&apos;s conference takes place from January 14-18, beginning with Steve Jobs&apos; keynote presentation at 9:00am, Tuesday, January 15.</description>
         <link>http://macrory.com/blog/2008/01/macworld_2008_san_francisco.html</link>
         <guid>http://macrory.com/blog/2008/01/macworld_2008_san_francisco.html</guid>
         <category></category>
         <pubDate>Mon, 07 Jan 2008 00:00:01 -0800</pubDate>
      </item>
            <item>
         <title>Apple Hardware December 2007</title>
         <description>WIth the holiday buying season (and fiscal year-end) upon us, it seems a good time to review the current Apple product line, focusing on computers and handhelds and ignoring odd products such as the Apple TV and X-Serve. Below are currently shipping Apple computers as of December 2007, organized by product type.</description>
         <link>http://macrory.com/blog/2007/12/apple_hardware_december_2007.html</link>
         <guid>http://macrory.com/blog/2007/12/apple_hardware_december_2007.html</guid>
         <category></category>
         <pubDate>Fri, 07 Dec 2007 12:00:00 -0800</pubDate>
      </item>
            <item>
         <title>Learning to Love Leopard Mail</title>
         <description>October 2007 saw the release of Mac OS 10.5, known popularly as &quot;Leopard.&quot; Like most commercial software, it has been heralded with praise for the genius of its &quot;time machine&quot; backup strategy and concerns about how gray and translucent parts of the interface have become. There will be lots of hype and many annoying changes, as there always are, but there will also be features and improvements folks will come to love. The new OS X Mail program (version three of Mail.app) is one of the latter, and adds many obvious and useful features which people will learn to love.</description>
         <link>http://macrory.com/blog/2007/11/learning_to_love_leopard_mail.html</link>
         <guid>http://macrory.com/blog/2007/11/learning_to_love_leopard_mail.html</guid>
         <category></category>
         <pubDate>Wed, 07 Nov 2007 12:00:00 -0800</pubDate>
      </item>
            <item>
         <title>FAQ: Which Version of Mac OS X Do I Have?</title>
         <description>And why does it always seem to be named after a cat?</description>
         <link>http://macrory.com/blog/2007/10/faq_which_version_of_mac_os_x.html</link>
         <guid>http://macrory.com/blog/2007/10/faq_which_version_of_mac_os_x.html</guid>
         <category></category>
         <pubDate>Sun, 07 Oct 2007 12:00:00 -0800</pubDate>
      </item>
            <item>
         <title>Backup Basics</title>
         <description>One of the things that sucks about my job is sometimes having to explain to people who are first calling me that, for whatever reason, huge amounts of their electronic life are forever lost. I get one of these calls every two or three months, and it is rarely easy. No matter how good your computer and how pristine your conduct, various bad things can cause data loss. From inattentive mistakes to spills to theft, any data can be destroyed and so it is a good idea to understand the basics of backing it up.</description>
         <link>http://macrory.com/blog/2007/09/backup_basics.html</link>
         <guid>http://macrory.com/blog/2007/09/backup_basics.html</guid>
         <category></category>
         <pubDate>Fri, 07 Sep 2007 12:00:00 -0800</pubDate>
      </item>
            <item>
         <title>Social Networking Sites 2007</title>
         <description>A few years ago the word &quot;blog&quot; was just an ugly neologism and no one in politics had coined the phrase &quot;netroots.&quot; Part of what buzzing technorati call &quot;web 2.0&quot; both of these are tied to the concepts of social networking. Some of the larger social networking sites include MySpace, Facebook, Twitter and dozens of others. This business model creates networks of people to tap into &quot;trust networks&quot; for  &quot;viral marketing,&quot; &quot;permission marketing,&quot; &quot;affinity marketing,&quot; and similar dynamics: creating social spaces that can be used to sell products. That may or may not be why people take part, though. Much as Starbucks&apos; concept of a &quot;third space&quot; that is neither work nor home, social networking sites aim to become a new sort of public commons (or gated community).</description>
         <link>http://macrory.com/blog/2007/06/social_networking_sites_2007.html</link>
         <guid>http://macrory.com/blog/2007/06/social_networking_sites_2007.html</guid>
         <category></category>
         <pubDate>Thu, 07 Jun 2007 12:00:00 -0800</pubDate>
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            <item>
         <title>There&apos;s No Place Like Home</title>
         <description><![CDATA[One of the brilliant design elements of the original Unix systems of the 1970's was the concept of user names with passwords and of a dedicated "home directory" for each user. This created a default place for a given account to place all of "its" documents and allowed for relatively easy transfer of users between systems and machines. This idea came to the Macintosh in earnest with the advent of Mac OS X, and the "home folder" which appears to the logged-in user as a picture of a little house whose name matches their short user name. Prior to this, it had been the Macintosh custom to let users put things and name things pretty much whatever they wanted, and for programs to do the same.

<P>Understanding the home folder and its uses is key to understanding and getting the most out of your Mac.]]></description>
         <link>http://macrory.com/blog/2007/05/theres_no_place_like_home.html</link>
         <guid>http://macrory.com/blog/2007/05/theres_no_place_like_home.html</guid>
         <category></category>
         <pubDate>Mon, 07 May 2007 12:00:00 -0800</pubDate>
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            <item>
         <title>Windows on the Mac 2007</title>
         <description><![CDATA[When Apple began moving its hardware to Intel chips, it opened a lot of possibilities, <A HREF="http://macrory.com/blog/2006/06/windows_on_the_mac_2006.html">as I have discussed before</A>. The magic of virtualization and native hardware continue, though, as Apple's Boot Camp beta software transitions to Leopard this spring and Parallels Desktop adds even more useful features.

<H2>The Best of Both Worlds: Boot Camp with Parallels</H2>

The fastest way to run any software is on native hardware, as Boot Camp (and presumably Leopard, OS 10.5 later this spring) allows. The most convenient way to run Windows on the Mac for most folks, though, is in through a windowed environment such as Parallels. Shortly after Boot Camp was updated to allow installation of Windows XP Home with Service Pack 2 (instead of just XP Pro SP2), Parallels Desktop was also updated to allow that software to use the same drive as Boot Camp. This means that one can install Windows (including hardware devices) on Boot Camp for maximum hardware compatibility and then use the same installation as a Parallels disk image, saving the hassle of two different Windows installations and also allowing for better isolation of the Windows NTFS environment.

<P>My recommendation for folks looking to install Windows on their Intel Macs is to do the intial installation and update with Boot Camp and then later to download and install Parallels Desktop for $80 to use the same partition. Since one is more likely to actually USE the Windows environment this way (and Boot Camp does not allow simple resizing of partitions) I usually suggest that people make this partition 10GB or so, providing a little bit of headroom.

<H2>Hardware and RAM</H2>

Crucial to a good Windows experience in Parallels is having plenty of RAM. I had originally installed Boot Camp and Parallels on my MacBook with 512MB of RAM (the bare minimum) but performance improved dramatically when I upped my physcial RAM to 2GB: so much so that I now recommend at least 2GB of RAM to those clients of mine who will be doing more than a few small things in Windows.

<P>For all but hardcore gamers, my experience is that an Intel iMac, MacMini or MacBook works equally well when given enough RAM, and basic configurations for machines at the highest possible prices are still in the $1200-1800 range, before Windows
<UL>
<LI>MacMini with 2GB of RAM and SuperDrive from Apple Store with Apple Care is $1,198
<LI>MacBook with 2GB of RAM and SuperDrive from Apple Store with Apple Care is $1,723
</UL>

A copy of Windows XP will run $200-$300 at the highest possible retail price, and are frequently available online through eBay or as OEM copies for $100 or less, while older copies of Microsoft Office 2003 range in price from under $100 to $200, mostly depending on whether they include Access or not. Full installation, updating and configuration of this usually takes between two and four hours with a high-speed connection.

<P>If you have previously purchased a version of Windows XP as part of Microsoft's Virtual PC, my experience so far has been that this installation code will work with a standard OEM or retail WinXP media, and the release of Microsoft Vista earlier this year means that there are also various legal second-hand licenses available from folks who purchased retail copies of XP but have now upgraded.

<H2>Sharing Folders Between Mac and Windows</H2>

There are a variety of ways to move files between the Mac and Windows environments, depending on what one's goals are. The safest and simplest for many people to understand is a Windows-formatted USB flash drive and an extremely local version of what we used to call "sneaker net." When booted into Windows insert the flash drive and then eject it like a floppy disk to load into the Mac OS later. Another option is to configure shared folders within Parallels or to enable Windows File Sharing on Mac OS X and access it as a Windows Service from within Parallels. Each has its advantages and disadvantages, but more conservative options are usually safest.

<H2>Securing Windows XP</H2>

Once Windows is running, one will want to secure it on Apple hardware as one would under other circumstances. Download safer programs such as FireFox rather than Internet Explorer (to avoid a variety of ActiveX attacks) and use email programs such as Thunderbird for email rather than Outlook or Outlook Express. To simplify Windows printing I download and install the free CutePDF Writer software and bypass various Windows Media Player attacks by installing QuickTime with iTunes, as well as doing the standard things such as installing anti-virus programs and free programs such as AdAware SE Personal Edition. In combination with automatic Windows updates (which are released on the second Tuesday of each month) I have round Windows XP with SP2 to be quite safe so far, especially if one is careful not to visit "honey pot" baited malware sites such as free porn sites, online gambling or file sharing services.

<H2>Coherence in Parallels</H2>

One of the coolest things for Mac folks who need to run only one or two Windows programs, though is a new feature in Parallels Desktop called "coherence." What Parallels Coherence does is to hide the Windows desktop entirely, while placing a Windows start bar just above the Mac OS X dock. Windows programs that are running under Coherence appear as Windows windows much as they would in a WINE environment, making the entire experience much less jarring. This has been a huge advantage to  folks who need to run just one or two programs such as Outlook or IE6 for MLS or QuickBooks Enterprise, and involves much less cognitive work for the ordinary user.

<H2>Ready for Prime Time</H2>

For the first time in my professional life I find myself unafraid to tell clients that their Macs can really run Windows programs as well as Windows hardware, and it is a great relief to us all. Older, legacy hardware such as serial-port devices and parallel printers are still rather difficult to use, but the basic software works as well on Apple hardware as any other.

<P>If you would like help in configuring your Intel Mac to give you the best of both worlds, please consider phoning Mac Rory at (360) 695-6929.

<H2>Links</H2>
<UL>
<LI>http://www.apple.com/macosx/bootcamp/
<LI>http://www.parallels.com/en/products/desktop/
<LI>http://www.parallels.com/products/coherence/
<LI>http://www.nextag.com/windows-xp-pro-oem-software/search-html
</UL>
]]></description>
         <link>http://macrory.com/blog/2007/03/windows_on_the_mac_2007.html</link>
         <guid>http://macrory.com/blog/2007/03/windows_on_the_mac_2007.html</guid>
         <category></category>
         <pubDate>Mon, 12 Mar 2007 17:33:24 -0800</pubDate>
      </item>
            <item>
         <title>Old Computers</title>
         <description><![CDATA[With the end of one year and the beginning of another, many people need to decide what to do with their old computers. Whether you are a facilities manager with a palette of electronic waste or just an apartment dweller looking to clear the clutter, how to safely erase your old machine and responsibly dispose of the hardware is an issue. Below are some simple guidelines to help you.

<H3>Hardware and Data and Software, Oh My!</H3>

Hardware and software and data are the three main things to consider when disposing of old computers. Hardware is the physical equipment such as cables and monitors and the various boxes that technology involves. Software includes the manuals and installation media, while data is the individualized information you have entered into your computer system. If I have a "pismo" PowerBook G3 with my resume and credit history in Microsoft Word format the resume is data, Word is software and the PowerBook itself is hardware.

<H3>Transfer, Archive and Destroy Data</H3>

Most people who donate computers to Goodwill just hand over the box, including their personal data. Many responsible charities or resellers will immediately test the equipment and erase the hard drive, but this does not always happen. It is important, then, to identify whatever files you want to keep and to transfer them to floppy disks or zip disks, CD or a USB flash drive before you erase them.

<P>When you "erase" or "trash" a file from your computer it is usually not destroyed, but only removed from easy access through a window manager (such as the Mac OS "Finder") and its space on the hard drive made available for other files to over-write. Some utility programs such as Norton "Unerase" can recover these files, as various naive criminals have discovered. To make a file unrecoverable involves over-writing its space on the hard drive several times or drastic measures such as "degaussing" the hard drive, as is done for military hardware such as the US spy plane which landed on China's Hainan Island in the spring of 2001.

<P>For people with extremely sensitive information, there are various computer programs called "shredders" which simplify this process. Programs such as "Super Scrubber" for Mac OS will boot from a CD and use a series of military-grade wipes and over-writes to foil known methods of data recovery and remanance. In most cases the "ordinary" home user can accomplish much the same thing by simply booting from the CD which came with their computer, repartitioning the hard drive a few times and then restoring the drive to its factory-delivered state.

<P>If you are donating or giving away a computer I strongly suggest that you find the original CD's that came with the computer, boot from those and use the "restore" function of the CD to do this. If I am not certain that manuals and such will physically stay with the machine I normally leave this boot disk in the machine itself after shutdown, so that it is wth the machine it restores. People who are more mechanically inclined, suspicious or who cannot transfer data in other ways may prefer to physically open the machine and remove the hard drive for storage or physical destruction. For all practical purposes, disassembling a hard drive and exposing the platters will effectively render it unreadable.

<H3>Saving and Transfering Software</H3>

If you have purchased software for your computer it came with an end-user licensing agreement, or "EULA." In most cases the EULA allows you to install the software on a single computer for your own use, and to erase the software from any computer before transfering it to someone else. If you would like to install your software on another computer, you may, and you are usually within your legal rights to sell or give the software to someone else, providing that you remove it from your own computer(s) and transfer the installation media and licenses to them. If I installed Microsoft Office 98 onto my PowerBook G3 and then later bought a full version of Office 2004, I can legally give my Office 98 CD to someone else, so long as I delete it from my computer and give them the original installation CD.

<P>Some "upgrade" versions of software require that you keep the older copy for installation or proof of ownership, so check your software before you give it away. If you purchased a new copy of Mac OS 10.4 "Tiger" for example and installed it onto a machine which came with Mac OS 10.2 you can legally give the copy of 10.2 that came with the machine away and install your new OS onto whatever single machine you choose. If you purchased a PC with Windows 98, though, and then later upgraded it to a newer version of Windows, you must legally transfer the original software and upgrade together. Most upgrade versions of Adobe and Microsoft software are the same, so if you have purchased upgrade versions of some software it is important to save a copy of the original "full" version.

<H3>Used Computer Hardware</H3>

Sometimes it is a charity to give someone old computer hardware and sometimes it is not. Generally the  more sophisticated a computer user is, the more likely they are to be able to use old hardware. Less sophisticated users are more comfortable with completely configured systems and almost no one has any use for computer hardware more than ten years old. Whether it is from the 1970's or the latest and greatest tech gizmo, though, almost all computer hardware contains toxic materials. Even the simplest electronics are manufactured using chemicals such as lead, zinc, cadmium and mercury. When released into the environment these are toxic and so computers are frequenty classified as "electronic waste."

<P>Electronic waste cannot be recycled as easily as other materials, and should be disposed of responsibly. Monitors, batteries and the common "wall wart" transformers used to charge cell phones and power computers are particularly dangerous should their components leak into soil and groundwater. Like paint or other household chemicals, these should be disposed of at separate facilities. Telephone your county government for programs in your area, or consider taking your electronics to places where they will be responsibly recycled or reused.

<P>In the Portland area we are very fortunate to have an organization called Free Geek which specializes in recycling used electronics. They ask for a small donation to defray their own disposal costs, but work with a small army of volunteers to responsibly reuse and put as many of these electronics as possible back into useful circulation. Their sister organization Mac Renewal works with them on much of the Macintosh stuff, and they have done loads of good for many years.

<H3>Businesses Beware!</H3>

If your business has records in programs or formats you no longer use, it is absolutely vital that you keep copies of the hardware and programs to access those records, or to convert them to media or formats you can use in the future. In my experience, accounting and backup software is the kind that is most likely to be forgotten or abandoned until it is too late. If at all possible, printed copies of key reports (such as profit and loss statements, tax returns and general ledgers) should be made and electronic versions such as PDF or tab-delimited text files should be created and copied to new media (such as a hard drive or CD) every two years. History is littered with obsolete file formats and old media types such as 8.5" floppies, SyQuest cartridges and so on. Making sure that your crucial data is readable on your current computers can be vital to your business, and if you have to keep an old computer in storage for this to happen, be sure you do so.

<P>Another problem that seems peculiar to businesses is the existence of specialized equipment or software that people don't normally think of as a "computer" or a "program." A certain card reader for your point of sale or inventory system, for example, is usually computer equipment, although not the sort you think of. If your entire store runs on fifteen-year-old software and a PowerMac 7200 or DOS machine it is vital that you plan for this. Usually I suggest that businesses who depend on such equipment plan immediately for its repair or replacement, such as by purchasing redundant "organ donor" machines as similar to (or identical) to their current older hardware. This makes it possible to have a quick spare when one machine breaks, and planning for this now can avoid a lot of heartache later.

<H3>So What Do I Do?</A>

At MacRory.com I am often asked by people what they should do with their used computer equipment, and my general order of preference is as follows:

<OL><LI>Use your restoration CD to erase the computer and give it to someone
</LI><LI>Use your restoration CD to erase the computer and donate it to charity
</LI><LI>Erase the hard drive and make a donation to an organization such as Free Geek
</LI><LI>Erase or remove the hard drive and take it to a designated hazardous waste area
</LI><LI>Complete sets of software and manuals may also be assembled and donated
</LI><LI>Almost no one wants old manuals, software or computer books older than ten years
</LI></OL>

If you would like professional help in archiving and transfering data from your old computers, please consider phoning Mac Rory at (360) 695-6929.

May all your old equipment find a happy home and your new year transitions be smooth ones.

<H3>Links</H3>

<UL><LI><A HREF="http://en.wikipedia.org/wiki/Electronic_waste">http://en.wikipedia.org/wiki/Electronic_waste
</A></LI><LI><A HREF="http://en.wikipedia.org/wiki/Shredding">http://en.wikipedia.org/wiki/Shredding
</A></LI><LI><A HREF="http://macrory.com/blog/2006/05/content_management.html">MacRory article on content mangaement
</A></LI><LI><A HREF="http://macrory.com/blog/2006/03/understanding_file_formats.html">Understanding file formats
</A></LI><LI><A HREF="http://freegeek.org">Free Geek</A> and their <A HREF="http://en.wikipedia.org/wiki/Free_Geek">Wikipedia article</A>
</A></LI></UL>]]></description>
         <link>http://macrory.com/blog/2006/12/old_computers.html</link>
         <guid>http://macrory.com/blog/2006/12/old_computers.html</guid>
         <category></category>
         <pubDate>Thu, 07 Dec 2006 12:00:00 -0800</pubDate>
      </item>
            <item>
         <title>Database Basics</title>
         <description><![CDATA[In non-technical terms a "database" is a collection of information, organized in a clear way for rapid searching and retrieval. If the real-world equivalent of a word processing document is the typewriter and the real-world equivalent of a spreadsheet is the ledger, the best physical model for most databases is probably a rolodex or card file, where each card represents a record (such as a contact or a recipe) and each card contains information about that record (such as address, ingredients or directions). Mundane real-world "databases" might include such simple things as dictionaries, phone books or encyclopedias. More complex databases includes such things as the LexisNexis database of articles, credit information used by the finance industry and the various databases used by the Social Security Administration and Internal Revenue Service for various "data mining" operations. Complex databases may involved hundreds of different tables and sources, with sophisticated filters and calculations built in. Simpler "flat file" databases can be expressed as a simple two-dimensional table, such as a single spreadsheet with one row per entry and one column per attribute. The simplest kind of database is usually an address list with each person on a separate line, with columns for first name, last name, address, phone number and so on.

<H3>Common Databases</H3>

<P>Many common programs organize document data in a database and, to a certain extent, are database management systems. Email programs, for example, organize messages to sort and display messages by such fields as sender, date and subject line. Address book programs manage tables of information about contacts as do scheduling programs such as iCal, Entourage or Palm Desktop. Finance programs are essentially database managers for financial information, so if you have ever used email or Quicken, you already know quite a bit about databases.

<H3>Database Schema or Tables</H3>

<P>At the simplest level databases are organized according to a pattern or "schema" such as a table. The best databases have a different schema for each entity: a different table for each sort of thing they are tracking. An email program, for example, will often have two tables: one to manage email messages and a second to manage email addresses. A table of addresses, or example, will list one address per row, with different columns for different attributes of each address such as first name, last name, email address and telephone number. A table (schema) of records (entities) contains fields ( or attributes) for each record, organized in a consistent way.

<H3>Advantages of a Database</H3>

Most people will organically grow toward a database, beginning with a word processing document (a basic typed list of addresses), organizing that into columns (a spreadsheet of addresses, which can be sorted by name or ZIP code) and then into a simple database program such as Address Book, Palm Desktop, Microsoft Works, AppleWorks, Access or FileMaker. A database offers many advantages such as

<OL><LI>Ability to rapidly sort or search through many records
</LI><LI>More consistent entry of many small changes over time
</LI><LI>Consistent long-term storage of data "behind the scenes"
</LI><LI>Ability to re-use the same information in different formats
</LI><LI>Ability to import or export data into different programs as needed
</LI><LI>Ability to link data easily to other data, such as customers to invoices
</LI><LI>Ability to generate reports and calculations from disparate data
</LI></OL>

If you routinely generate a list for holiday cards, for example, you can store postal information for everyone in a single place, and use the same file to store related information such as phone numbers, birthdays and anniversaries. If one is a business who is already tracking contacts, phone messages, sales, inventory and expenses, a better understanding of these disparate databases can be leveraged so that such information works together.

<H3>Identifying Databases</H3>

Almost anything which is worth tracking is more valuable when tracked in a logical, retrievable manner. The advantage of Quicken over a paper checkbook is that it can do arithmetic for you and quickly search through a ledger by date, category or payee. The advantage of MYOB or QuickBooks over Quicken is that it can also sort and report data in more sophisticated ways. Programs such as Entourage and Palm Desktop combine a variety of different tables with varying degrees of success, and programs such as FileMaker or technologies such as MySQL allow one to connect wildly disparate data in ways that exactly match your preferences and business needs. What sorts of things are you tracking now? How are they similar or different? How could these things be more logically related?

<P>Among the sorts of things most people track in some way are:
<UL><LI>Contacts: names, emails, phone numbers, customers, accounts
</LI><LI>Tasks: things to do, dates due, project steps, maintenance
</LI><LI>Appointments; dates, times, locations, notes or minutes
</LI><LI>Transactions: payments, receipts, invoices, bills
</LI><LI>Documents: memoes, instructions, directions, minutes, notes
</LI><LI>Inventory: equipment, supplies, manuals, service, warranties, repairs
</LI></UL>

<H3>Getting Started</H3>

Frequently the best way to begin organizing things is in folders on the desktop or hard drive. Sometimes it is on physical index cards. Perhaps it is on Excel spreadsheets. The best method will depend on who you are, what you prefer and what you need to track. Once you have identified your needs, please consider contacting us to discuss what programs and procedures would best meet your needs. Phone Mac Rory at (360) 695-6929.

<H3>Links...
</H3><UL><LI><A HREF="http://www.macupdate.com/info.php/id/6973">Palm Desktop
</A></LI><LI><A HREF="http://www.intuit.com/products/">Quicken and QuickBooks
</A></LI><LI><A HREF="http://www.myob.com/us/products/2006_firstedge/">MYOB FirstEdge
</A></LI><LI><A HREF="http://myob.com/us/products/2006_accountedge/">MYOB AccountEdge
</A></LI><LI><A HREF="http://homepage.mac.com/cohora/computer/db/index.html">AppleWorks Database Tutorials
</A></LI><LI><A HREF="http://www.filemaker.com/">FileMaker
</A></LI><LI><A HREF="http://www.4d.com/">Fourth Dimension
</A></LI><LI><A HREF="http://en.wikipedia.org/wiki/Database">http://en.wikipedia.org/wiki/Database
</A></LI><LI><A HREF="http://en.wikipedia.org/wiki/Database_management_system">http://en.wikipedia.org/wiki/Database_management_system
</A></LI><LI><A HREF="http://en.wikipedia.org/wiki/Schema">http://en.wikipedia.org/wiki/Schema
</A></LI><LI><A HREF="http://databases.about.com/">Mike Chapelle's Database Column at About
</A></LI><LI><A HREF="http://fmforums.com/">FM Forums for FileMaker sharing
</A></LI><LI><A HREF="http://www.mtdata.com/~drred/cottagemed/about.htm">Cottage Med free electronic medical records (EMR) managemetn software using FileMaker
</A></LI><LI><A HREF="http://www.shrinkrapt.com/">ShrinkRapt software for psychologists
</A></LI><LI><A HREF="http://www.martialartsorganizer.com">Martial Arts Organizer for gym management
</A></LI></UL>]]></description>
         <link>http://macrory.com/blog/2006/11/database_basics.html</link>
         <guid>http://macrory.com/blog/2006/11/database_basics.html</guid>
         <category></category>
         <pubDate>Tue, 07 Nov 2006 12:00:00 -0800</pubDate>
      </item>
            <item>
         <title>Presentation Software</title>
         <description><![CDATA[If the electronic version of a typewriter is the word processor, of ledgers the spreadsheet, and of a card file the database, presentation software is the electronic incarnation of the slide show or of the flip chart so famously demonstrated by Ross Perot in 1992 or (more recently) by Al Gore in the movie "An Inconvenient Truth." Designed to present a series of screens or "slides" as a visual aid, presentation software can be used from everything from church hymnal to making movies. In skillful hands it can create things of beauty but in most cases it is an express train to banality.

<P>The theory behind presentation software is that visual aids help comprehension of spoken material and that having a single legible representation helps an audience to stay focussed and together. At the opera or in church, presentation software can display song lyrics or translation through super-titles. In a lecture, clear slides can free the speaker from the chalk or whiteboard in favor of a more methodical and consistent outline. A presentation can be a convenient way to carry a variety of portable graphics, but in practice most presentation software makes presentations seem twice as tedious and banal than they already are by dividing the audience's attention between multiple media and repeatedly over-stating the obvious. Those who decide to use presentation software, then, are under a grave moral obligation to use it as intelligently and ethically as possible.

<H3>Slides, Bullets and Drumbeats
</H3><P>By organizing data into a series of sequential slides, presentation software by its nature creates a mechanistic, lock-step narrative, unswerving in its avoidance of digression and dictatorial in its general hostility to questions. Frequently used by speakers as a crutch to avoid thinking or engaging with the audience, the perfect example of this is the technique called a "bullet build." The bullet-build is a list of five or so items, pre-arranged to appear in sequence one at a time, perhaps with an animation as if pre-ordained. If the bullet build is titled "meals served" and the title fills the upper quarter of the slide, it is guaranteed that three meals will be presented in order, without room for snacks or discussions of such pesky issues as junk food or blood sugar. Thus spake Zarathustra. A series of such slides, inexorably moving forward, has a mechanistic drumbeat drone to it and generally discourages critical thinking, especially in the hands of a nervous, inexperienced or mechanistic speaker. Like the workday for proles in Fritz Lang's 1927 movie <CITE>Metropolis</CITE>, this tap-tapping rhythm makes the phrase "droning PowerPoint presentation" almost a triple redundancy.

<H3>Best Practices
</H3><P>What then are the aesthetic and ethical rules for using presentation software? How can one use it so that it is not authoritarian, dicatatorial and didactic? Perhaps one cannot.</P>

<H3>What Are You Doing?

</H3><P>People use presentation software for a variety of things, and your intent will determine if and how you use it. The best use of presentation software is perhaps in the hands of a skilled lecturer who uses it to quickly provide key ideas and references (such as citations for texts or studies) without interrupting the general narrative. Medical conferences frequently feature this sort of presentation: usually no more than a dozen or so slides, the first of which introduces the speaker, half of which cite other studies and half of which provide key illustrations which are referred to throughout the lecture and can be used in multiple ways or referred to during questions. Slides such as this are easy to find and serve an immediate need that does NOT distract from the main speaker. "Here we see a radiograph where a dark spot may indicate an abnormality."

<P>A second use of presentation software is similar and may take place at a public briefing, including such things as contact numbers for city offices, a proposed timeline for a project and perhaps a few maps or photographs of a project area.

<P>A third use of presentation software is at an event such as a wedding, reunion or funeral, where a series of related photos appear and disappear on the screen, perhaps to musical accompaniment. This is where presentation software starts to merge into opera or multi-media moviemaking. The point is not to provide an aid to a live speaker or a discussion but to provide a self-running presentation that may be accompanied by music or narration. Depending on the length and complexity of such a presentation, sometimes it is more logical to use a tool other than Keynote or Power Point. On the Macintosh two of the more common choices are iPhoto or iMovie, which allow one to lay down a series of slides with interesting transitional effects more quickly or to assemble slides and then record an underlying narrative, similar to a Ken Burns documentary.

<P>The worst use presentation software is to present propaganda and canned narrative as a <CITE>fait accompli</CITE>. In this case the software is used to dictate a predetermined order with only the vaguest pretense of conversation or feedback. The viewer is not encouraged to ask any questions that will divert from the set script, nor are they allowed to muse on the material themselves, as they might with an artistic photo collage at a wedding or funeral. Such presentations are essentially a force-feeding of canned information, predominantly used by cookie-cutter trainers and sales people, who discourage substantive questions and dicussion. It is these sorts of presentation which lead thinkers such as Edward Tufte to denounce Power Point as essentially authoritarian and hostile to thought.</P>

<H3>Rules of Thumb
</H3><P>In most cases I am of the personal opinion that the fewer slides there are in a presentation, the more honest and useful it is, provided that the slides are carefully chosen to be used in a variety of ways. Sometimes there will need to be a quick series of slides to establish background terms or timelines, but the main body of a presentation can almost always be presented in half a dozen slides, chosen for their ability to encourage questions, understanding and an attention to detail.</P>

<P>Another excellent guideline is to limit the amount of information per slide. The standard presentation slide is a title with a single picture or graphic and text, or perhaps a series of bullet points. Most slides should contain no more than twenty words or no more than four or five bullet points. More data than this tends to become a sea of confusion, as do more than one or two pictures at a time. Two or three pictures allow comparison. Three or more pictures are merely a collage, with little opportunity to examine them. Small pictures are too muddy to be useful and (like too many words) just become noise. Much as writing can be seen as God's way of showing you how muddled your thinking is, presentation software can show you how rambling your thoughts. Most non-academic presentations should be easily summarized on a single sheet of paper, and if your presentation will not so fit, it is good to consider why that is the case.</P>

<H3>Consistency
</H3><P>Almost every presentation software package allows you to select a theme or style for your slides beforehand, and then to add a particular type of slide: a title slide, a single graphic, a graphic with caption or a bulleted list. If you use this feature it will make your slides much more consistent, and allow you to re-use your material more efficiently. Building slides separately by scratch will usually make your presentation more disjointed, so use master slides and styles much as you would styles in a word processing document.

<H3>Speaker's Notes
</H3><P>Many presentation programs will allow you to create a separate page of "speaker's notes" to accompany each slide, and many people use this space to write out everything they will say, word for word. If you need such a crutch, use it, but it is usually smarter to use this space to cite your sources and your references, not duplicating information that is on the main slide but providing details for the question and answer session, or to refer to during the presentation itself. If a picture comes from a web site, monograph or book, speaker's notes are an excellent place to record this fact, so that the same material can be verified or re-used later. For statistics and citations, this is especially important.</P>

<H3>Exporting and Saving
</H3><P>Another thing which many presentation software packages allow you to do is to export or save your presentation so that they can be distributed as physical handouts, HTML pages or even exported to the web or DVD as movies. If you consider how your audience may wish to use your presentation, exporting it or uploading it to a web page beforehand provides a nice thing to put on your last slide. If you have a camera or iPod which can be hooked up to a large-screen television or projector, frequently a presentation can be exported as a series of JPG photographs, making the transition full circle from when presentations were first created from cameras and shown as slides.

<H3>Links...
</H3><UL>
</A></UL><LI><A HREF="http://www.wired.com/wired/archive/11.09/ppt1.html">David Byrne on PowerPoint as Dada Multimeda Tool
</A></LI><LI><A HREF="http://www.wired.com/wired/archive/11.09/ppt2.html">Edward Tufte on PowerPoint as Stalinistic Evil
</A></LI><LI><A HREF="http://www.edwardtufte.com/bboard/q-and-a-fetch-msg?msg_id=0000Jr&topic_id=1">Specific example from Tufte re Cancer Survival Rates
</A></LI><LI><A HREF="http://www.physics.ohio-state.edu/~wilkins/group/powerpt.html">Ian Parker's article "Absolute PowerPoint" from <CITE>The New Yorker</CITE>, May 18, 2001.
</A></LI><LI><A HREF="http://www.presentations.com/presentations/delivery/article_display.jsp?vnu_content_id=1000482464">A defense of PowerPoint from Presentations.Com
</A></LI><LI><A HREF="http://www.presentationzen.com/">PresentationZen.Com
</LI></UL>]]></description>
         <link>http://macrory.com/blog/2006/10/presentation_software.html</link>
         <guid>http://macrory.com/blog/2006/10/presentation_software.html</guid>
         <category></category>
         <pubDate>Sat, 07 Oct 2006 12:00:00 -0800</pubDate>
      </item>
            <item>
         <title>Basic Page Layout</title>
         <description><![CDATA[<P>However modest your life, odds are that at some point you'll need to do some basic design or page layout. Whether for a business card, a brochure, a newsletter or a "lost dog" poster it helps to understand basic concepts such as white space, alignment, contrast and typography. If you use a computer it also helps to understand a little bit about page layout and how to use any program for good design.

<H3>Principles of Good Design
</H3><P>In her excellent 1994 <CITE>Non-Designer's Design Book</CITE>, Robin Williams discusses four principles of good design: contrast, repetition, alignment and proximity, giving clear examples of how such things add to and extend the basic message and meaning conveyed by pictures and text. Whether you are just laying out a simple memo in a word processor or designing the template for a magazine, this and a basic understanding of fonts can go a long way to making your message clearer and making you look good.

<H3>Serif and San Serif Type
</H3><P>One of the most basic things computers make possible is a choice among many letter shapes and styles, popularly known as fonts. The technology of fonts has changed across the centuries with technology, but the basic rules have been in place since the middle ages, as inspection of illustrated manuscripts, shows. Design conventions such as drop caps, pull-outs, multiple columns and captions have been around for hundreds of years and the conventions first used by medieval monks are still visible on the front page of <CITE>USA Today</CITE>.

<P>Chief among these is the use of "serifs" on fonts. Serifs are the little "wings" on the tips of some letters and help the eye to fly along lines of extended text. The general rule of thumb is that serif fonts are used in body text and that fonts without serifs (called "san serif") are used for headings and text elements designed to "stop the eye." Newspaper and magazine stories are laid out in serif type, while single-word signs such as "stop" and "go" and "yield" are almost always in san-serif, block type. The presence or absence of serifs is one of the primary characteristics of a font and a reason to use or not use it for a given purpose.

<H3>Proportional and Monospace Fonts
</H3></P>Another key characteristic of letter forms is their proportionality. "Monospace" fonts such as those used by mid-century typewriters are such that each letter is equally wide: a capital "w" takes up the same amount of space from side-to-side as a lower-case "i" or "n" for a word such as "win." In a proportional font, these letters would have different widths, and the width of a word will vary not only on the number of letters it contains, but which letters. Monospace fonts are frequently used when arranging tabular data or rows of numbers, while proportional fonts are usually used for text. The typeface "Times," for example, was designed for The Times of London in 1931 for printing the maximum amount of text legibly on poor-quality newsprint. Almost all modern fonts are proportional, but monospace fonts are often still used for mathematical tables, text which mimics a typewriter or to display computer code (in emulation of monospace computer monitors).
 
<H3>White Space, Alignment and Asymetry
</H3><P>"White space" refers to intentionally empty area within a design to let the eye "breathe" and set the various portions of text and graphic elements off from one another. White space can include large areas of empty space or much smaller areas such as the "kerning" between letters, the "leading" between lines of type or the trailing and leading spaces before, after or between headlines, subheadings, body text, graphics and captions. Insufficient white space is the main design error that most people make, as they try to place as much on the page surface as possible, rather than change the size of certain elements to allow white space so each element is clearly visible.

<P>Too much unorganized white space, however, can also be disorienting and seem disjointed. One of the basic tricks to using white space well with text and graphics is to align graphic elements in a way which supports their organization. When a typewritten letter is left-aligned in full block style with a single point of alignment down the left side with space between paragraphs and a "ragged right" edge, portions of the letter such as date, addresses, body and salutation lines are easier to distinguish. Each element within the design is distinct, but the many parts are also united through consistent alignment.

<P>Good design is almost never symetrical, though, so if pictures or graphics are placed on the page they should almost never be centered or clustered together in repetitive or formulaic ways. Setting a graphic off at an angle (with its far-right edge aligned to the text margin), for example, creates a sense of motion and dynamics. Some consistency and uniformity is created through alignment and consistent spacing within paragraphs, but each page should contain some asymetric elements as well.

<P>Lastly, like things should be grouped together in close proximity. A caption should be near the picture it describes and related address information should be in close proximity. A numbered or bulleted list may have spaces before and after it, so that the list elements clearly go together. Looking around you at design which works, notice how design elements work with or against style, readability and grace.

<H3>Headers, Footers and Rules
</H3><P>If your documents will be longer than one page, don't forget to include headers, footers and rules as part of your design. Will your pages include dates or page numbers? How big and where? Will right and left pages mirror each other with a central "gutter" for binding, or be designed for one-sided printing and staple-binding? Will your design include graphic elements such as logos or a rule to divide the page into sections? If there is color, will the same design also work as a grayscale photocopy or a black-and-white screen print? If you use a word processing program for most of your documents, it is worth your time to establish a complete style sheet for that program as mentioned <A HREF="">in an earlier article on word processing basics</A>.

<H3>Page Layout Programs
</H3><P>One of the things which page layout programs make possible is the design of "master pages" to include graphics, text, headers, footers and more. If you have certain kinds of documents or reports you are constantly creating, taking the time to find or create a good template which incorporates good design is a huge time saver, or have a professional graphic designer create templates for you with a few clear fonts and rules. It is unusual for a good design to contain more than three or four variations in typography, for example, including minor variations such as size or letter style as different types. Emphasis and contrast is achieved, instead, by artful placement of graphics and text on the page.

<H3>Master Pages and Templates
</H3>Many page layout programs include a variety of sample documents to get you started, and it is worth taking a look at these, whether to use or just examine for ideas and to see how the program can be used. Sometimes called "templates" or "stationery" or "starting points" in a "project gallery," such documents don't merely include a variety of paragraph styles, but different page types: left, right, cover, index, glossary and so on. Of the commonly available page layout programs for ordinary users, the Pages program in Apple's iWork suite has the most sophisticated selection of templates, with a variety of master pages within almost all of them. Once you have your own designs down, be certain to create and save master pages in a template of your own.

<H3>Text Boxes, Graphics, Placeholders and More
</H3><P>One fundamental difference between a word processor and a page layout program is the concept of text and graphic boxes which allow one to "place" such objects next to each other and attach them to the page or each other in various ways. There is even a special kind of gibberish text called "lorem ipsum" that is often used placeholder text, to show a design and allow layouts to be created without specific content.

<P>In the days between movable type and desktop publishing (DTP), graphics and blocks of text were trimmed using razor blades and pasted onto large grids of paper called "flats" to be photographed. With DTP computer programs replaced these physical objects with text and graphic boxes, which could then be rearranged on the page in various ways, allowing text "flows" from one box to another across columns on the same page or as "jumps" to other pages, as is common in magazines.

<P>This concept of placeholder boxes and objects is fundamentally different from the word processing single-column model, where most text and graphics fill a single text box which spans the entire page and automatically "jumps" to the following page as needed. One of the things modular design with text boxes and graphics allows is the ability to "wrap" text around a graphic or place text and graphics above or beneath text, perhaps with various degrees of transparency or opacity. The details of how this is done vary from one program to another, but it helps to understand that it is possible. It is also possible to "anchor" a particular text or graphics box to another or to a particular place on the page. One may wish to anchor a caption to its graphic, for example, or anchor a headline to a particular place on a front page.

<H3>Export and Pre-Flight
</H3><P>If your work is to be printed on anything more sophisticated than your $100 inkjet printer, you will want to check with your production person or printer to see exactly how they need the job delivered. Professional designers are constantly performing such esoterica as creating color separations, registry or cropmarks, and extracting fonts to deliver with a job as part of a process generally known as "pre-flight." If your job is merely going to the local copy center, you probably needn't do anything more complex than create a PDF, but it is always a good idea to check with your printer early, to be sure.

<P>On Mac OS X it is trivial to create a document using Adobe's portable document format (PDF): from any print dialogue box simply select the "Save as PDF" option in the lower-left corner. For fancier programs such as Illustrator, Quark or InDesign this will work, but you can get much better results by exporting in various ways to specialized PDF documents or formats such as encapsulated postscript (EPS). Check with your printer or production person, as they may be able to give you settings or special parsed printer description (PPD) files which can dramatically improve the quality of your print job on their printers, imagesetters or other equipment.

<P>As always, for more instruction on basic page layout or computer workflows, please consider phoning Mac Rory at (360) 695-6929.

<P>Happy layout!



<H3>Links...
</H3><UL>
</A></LI><LI><A HREF="http://en.wikipedia.org/wiki/Typeface">http://en.wikipedia.org/wiki/Typeface
</A></LI><LI><A HREF="http://en.wikipedia.org/wiki/Serif">http://en.wikipedia.org/wiki/Serif
</A></LI><LI><A HREF="http://en.wikipedia.org/wiki/Lorem_ipsum">http://en.wikipedia.org/wiki/Lorem_ipsum"
</A></LI><LI><A HREF="http://www.peachpit.com/bookstore/product.asp?isbn=0321193857&rl=1">Robin Williams' <CITE>The Non-Designer's Design Book, Second Edition</CITE>
</A></LI><LI><A HREF="http://www.peachpit.com/bookstore/product.asp?isbn=0321303369&rl=1">Robin Williams' <CITE>The Non-Designer's Type Book, Second Edit</CITE>
</A></LI><LI><A HREF="http://www.peachpit.com/bookstore/product.asp?isbn=0321303377&rl=1">Robin Williams' <CITE>The Non-Designer's Web Book, Third Edition</CITE>
</A></LI><LI><A HREF="http://www.peachpit.com/bookstore/product.asp?isbn=0201700883&rl=1"><CITE>Robin Williams Design Workshop</CITE> book
</A></LI><LI><A HREF="">
</A></LI></UL>]]></description>
         <link>http://macrory.com/blog/2006/08/basic_page_layout.html</link>
         <guid>http://macrory.com/blog/2006/08/basic_page_layout.html</guid>
         <category></category>
         <pubDate>Mon, 28 Aug 2006 12:00:00 -0800</pubDate>
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            <item>
         <title>Children And Computers</title>
         <description><![CDATA[In a previous life I was an elementary-school teacher andhad more opportunity than most to think about the place of technology in education, computers in particular. Through an accident of history I was a freshman at Reed College the year it's most famous drop-out introduced his pet project, the Macintosh, watching as the calligraphy culture of Lloyd Reynolds was replaced by desktop publishing. As a charter member of the Teach for America national teacher corps I got to work in a school whose officially-supported technology was frozen at approximately 1920. In the mid-nineties I argued for the inclusion of Internet resources for our school and used to download web sites to floppy disks so that Internet resources such as the CIA World Factbook would be available to my students. Now, having abandoned teaching to work as a computer consultant people are often surprised that I do NOT consider computers an appropriate tool for most children, and certainly not a primary learning tool. Today I would like to briefly explain why.

<H3>Why Educate Children?</H3>
The primary purpose of education is to pass down human culture and wisdom, to help people feel more confident and at home in the world, to understand things and be better humans. As humans we live in a very particular world, bounded by certain physical, social and emotional or spiritual realities that we make sense of, understand and interact with, primarily through thought. When asking what is the best, most appropriate education, one must first ask what is a good person. What do we want to be? And what do we want our neighbors and children to be? When phrased this way, almost no one  will immediately suggest computers.

<H3>Tools are Not People</H3>

Whether you believe that children are primarily spiritual beings or immature, late-paleolithic mammals, your answer shall probably touch on ideas of understanding one's place in the world and being able to negotiate that place in a thoughtful, caring way. Part of this involves physical manipulation, part involves socialization; a large part of it involves adaptation and comprehension, and perhaps terms such as "compassion" or "independence" or "flexibility" come into the mix. These are not the sort of skills that children learn from computers.

<P>Every sort of culture and mammal raises their children in a series of fairly predictable steps: feeding and protecting the young ones through constant communication and touch, allowing them to be present to observe activities by others, communicating with by word and gesture, encouraging imitative play and gradually correcting maladaptive mistakes or "errors." The young are weaned both physically and mentally to become functional adults in the larger environment, carrying on the species or culture beyond the parent's biological death. None of the fundamental skills are best taught at a computer, but in a physical or social world with guidance and feedback from others.

<P>Children don't need computers. What they do need  are others: mentors, elders, peers, siblings and other creatures such as plants, animals or other children to interact with and learn from in time and space. As a teacher I worked strongly for the integration of computers in the classroom, but only as TOOLS for the completion of other, relevant tasks. Computers should not be any more exalted or fetishized than paper, pencils or books; whiteboards, televisions or other objects such as science apparatus or math "manipulatives." 

<H3>What Matters Most?</H3>

I introduced the Internet in the general unit on research materials such as library books, periodicals, atlases, newspapers and encyclopedias. I introduced word processing as a part of the organic drafting, revising and publishing "writing process." Spreadsheets were just a way to do repetitive calculations quickly, while databases were just a way to help a diverse group of people organize a huge collection of tiny facts. Computer graphics were a cross between a photocopy machine and a draftsman's table, but never took the place of drawing, doodling or sketching in the field. Although useful for "drill and kill" repetition tasks such as practicing test-taking or running through math-fact "flash cards," I like to think that I never deluded myself that the computer was much more than a technical chimera that nailed together a television screen, mimeograph and a solid collection of worksheets. The computer is not some magic bullet that will solve all our woes.

<H3>Lure of the Magic Bullet Techno-Fix</H3>

"History is littered with Maginot lines," foolproof devices and unsinkable ships that shall solve all of humanity's problems. So is education. From the New England primers to McGuffey's readers to Zerna Sharp's "Dick and Jane" series to modern basal readers and Josten's, the concept of what makes a perfect literacy program is hotly and lucratively debated. Parents fret that students don't know "the basics" or certain facts, but forget the central point of everything that we do not teach math (or science, or reading or history), we teach children. And we should not teach children merely so that they can be minor industrial operatives.

<P>Kahlil Gibran's poem "On Children" speaks of how we may think of the young as personal property, but they are no more ours than we are our parents', and they shall "dwell in the house of tomorrow" which we can imagine, but never see. Whether you know how Wilhelm Fröbel invented kindergarten in the 1800's, admire Rudolf Steiner or have never heard of Maria Montessori; whether you are a fan of Booker T. Washington, W. E. B. DuBois or have no idea who they are; whatever your understanding of pedagogy or philosophy, I would guess that when you think of your child's future, their ability to program in FORTRAN is not at the top of the things you hope for.

<P>The things of ultimate concern for a child are very similar to those of ultimate concern for an adult, and the main task of adults and parents in our culture is to focus on ultimate concerns, not tools or gizmos. The wealthiest humans have almost always educated their children through an increasingly complex and sophisticated series of manipulative experiences in the real world, alternating with tutorials and competition. Music, chess, riding, travel. Ballet, dancing, football, lacrosse. Wrestling, boxing, football, lacrosse. Childcare, cooking, sewing, conversation. Physical and social skills in the broader world are exactly the sort of things that computers do not teach, and to which even adults are tempted to retreat from in favor of computers.

<H3>Fool's Gold and Silicon Snake Oil</H3>

Just before I left education there was a great push by Microsoft to control that "molding market" and revenue stream, which I saw as fundamentally bad for education. I inventoried the technical skills I had learned and left in my short life, from card catalogs to slide-rules to carbon paper and light-tables. Whatever fourth-graders would use "on the job" fifteen years from now, I could guarantee that it would not be Windows 95. Our task was to help students learn better how to learn, through observation, from others, alone or in groups, to be as adaptive and flexible as their unpredictable futures would demand. Computers, for the most part, take children out of a difficult world into an alternative or fantasy space that is not the quickest way to make them strong. Like reading a gossip column or watching a mediocre sit-com, it is time spent, but not well or productively.

<P>When parents ask me what I think about getting their child a computer I usually respond by asking them a little bit about the child's general social and athletic life, as well as the parent's aspiration for the computer. I did not seriously use a computer until college and yet I was more expert in most things now than those who did, and for every story about a tech millionaire, I can tell a dozen more about someone who is single and unhappy, working a dead-end job and eating, but not thriving. Computers are for the white middle-class what sports too often are for the African-American working class or rap music seems to many in the lower class: a lottery ticket chance at a better life. For every Tiger Woods or Bill Gates, though, there are thousands of overweight men with high cholestrol. For every Madonna or Martha Stewart, there are thousands of former dancers with skin cancer. True education is not merely vocational, but prepares the student for whatever might happen in any country, at any place, in any time.

<H3>Computers Size Everything Extra Medium</H3>

I am told that the Waldorf schools do not encourage or welcome the use of computers until the high school level, and this seems to be a fairly good guide. While computers may have limited uses in particular projects such as math drills, physical publication of writing or focussed research, mostly I see computers used in the home as televisions: escapist video games that take the place of more wholesome activities such as physical tasks (exercise, self-expression, hobbies or building), social tasks (scouting, exploring with friends, adventures) or reading (as escape or to explore alternative realitiies, as is sometimes done healthily through historical fiction, science fiction or fantasy).

<P>One of the fundamental problems with a computer is that it makes everything the same experience: whether you are playing chess, reading, drawing or visiting, the fundamental physical action is almost exactly the same as watching television. This cannot be developmentally appropriate, especially when basic physiological processes such as muscular coordination, spatial orientation and skills in both reading and projecting non-verbal social cues are still being developed. When I was in high school it was mainly people who could not do sports, make friends or play a musical instrument who were drawn to computers. Today computers are drawing people away from playing musical instruments, making friends or using their bodies in wholesome ways. It is not "surfing the internet" or "exploring cyberspace." It is sitting on your butt in front of a computer.

<P>Every hour in front of a computer is an hour away from your life. If you are considering the appropriate use of life and of computers, please consider phoning for an appointment with Mac Rory at (360) 695-6929.

<H3>Links...</H3>

<UL><LI>Alliance for Childhood's 2000 <A HREF="http://www.allianceforchildhood.org/projects/computers/computers_articles_call_for_action.htm">Call for Action on Children and Computers
</A></LI><LI><A HREF="http://www.ocf.berkeley.edu/~stoll/silicon_snake_oil.html">Clifford Stohl's book <CITE>Silicon Snake Oil: Second Thoughts on the Information Highway</CITE>
</A></LI><LI><A HREF="http://archives.obs-us.com/obs/english/books/nn/bdstol.htm">Synopsis of Stohl's book
</A></LI><LI><A HREF="http://www.katsandogz.com/onchildren.html">Kahlil Gibran's poem "On Children" from <CITE>The Prophet</CITE>
</A></LI><LI><A HREF="http://en.wikipedia.org/wiki/Kindergarten">http://en.wikipedia.org/wiki/Kindergarten
</A></LI><LI><A HREF="http://en.wikipedia.org/wiki/Montessori_method">http://en.wikipedia.org/wiki/Montessori_method
</A></LI><LI><A HREF="http://en.wikipedia.org/wiki/Waldorf_education">http://en.wikipedia.org/wiki/Waldorf_education
</A></LI><LI><A HREF="http://www.allianceforchildhood.org/projects/computers/computers_reports_fools_gold_download.htm">Fool's Gold: A Critical Look at Computers in Children's Education
</A></LI><LI><A HREF="http://darkwing.uoregon.edu/~moursund/Books/Parents/Parents-Guide.html">Dave Moursand's "Parent's Guide to Computers in Education"
</A></LI></UL>
]]></description>
         <link>http://macrory.com/blog/2006/08/children_and_computers.html</link>
         <guid>http://macrory.com/blog/2006/08/children_and_computers.html</guid>
         <category></category>
         <pubDate>Mon, 21 Aug 2006 12:00:00 -0800</pubDate>
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            <item>
         <title>Glossary</title>
         <description><![CDATA[There are a lot of words and TLA's (three-letter acronyms) that computer people throw around and use all the time, frequently using the same word (such as "airport" or "wifi" or "802.11") to refer to the same thing without explanation. Herewith, then, an alphabetical list and glossary of some of the ones I end up explaining most often.

<UL>
<LI>1394: The official IEEE number for the peripheral connection also known as "Firewire" or "iLink"
</LI><LI>802.11: The official IEEE designation for "WiFi" wireless IP networking
</LI><LI>AC: Alternating current, the kind of electricity that comes out of a wall socket
</LI><LI>Airport: Apple's brand name for 802.11 technology: both the protocol and physical devices
</LI><LI>Alias: A computer icon or file which points to another alias, folder, file or document
</LI><LI>Bluetooth: A short-range wireless technology used in phones, printers, keyboards, mice
</LI><LI>Bonjour: An easy-to-use local network protocol built into some devices, OS X and iChat (formerly called "Rendezvous")
</LI><LI>Bookmark: An Internet URL or shortcut, usually saved and managed within a web browser
</LI><LI>Bridge: Network connector for two disparate network types, such as localtalk/ethernet
</LI><LI>Broadband: High-speed Internet connection such as through a DSL or cable modem
</LI><LI>Cache: Files stored on your computer temporarily, as from recently visited web sites
</LI><LI>Cable Modem: Bridge used to provide Internet connections over coaxial cable TV wiring
</LI><LI>CRT: Cathode Ray Tube, the "television-style" computer monitor common since the 1970's
</LI><LI>DHCP: Dynamic Hosting Control Protocol, a way to allocate IP addresses "on the fly" as needed
</LI><LI>Download: To transfer a file from a network server to your local computer
</LI><LI>DSL: Digital Subscriber Line, a protocol to deliver high-speed IP connections over telephone wires
</LI><LI>Ethernet: A physical network connection, usually looks like a fat telephone cable
</LI><LI>Favorite: AOL and Internet Explorer term for a web bookmark or alias
</LI><LI>Freeware: Copyrighted software available for free without source code
</LI><LI>Firewall: A network node designed to filter traffic, usually for security reasons
</LI><LI>Firewire: Apple's brand-name for 1394, a peripheral connection type often used for video cameras and hard drives
</LI><LI>Gateway: A network node through which one connects to another network or Internet
</LI><LI>Hub: A box which shares one connection with many ports, similar to a power strip but for USB, firewire or ethernet
</LI><LI>Internet: the worldwide collection of network protocols for email, web, Usenet and more
</LI><LI>IP: Internet Protocol, the addressing and transfer protocol most common on the Internet
</LI><LI>IP Address: A numeric node on an IP network, analagous to a telephone number or extension
</LI><LI>ISP: Internet Service Provider, a company which provides an IP address and Internet access
</LI><LI>LAN: Local Area Network, usually one's intranet, home or office network
</LI><LI>LCD: Liquid Crystal Display, the "flat" kind of computer monitors such as on laptops
</LI><LI>Mac: Short for "Macintosh," usually indicating Macintosh OS or components
</LI><LI>MAC: Media access control, technical name for an ethernet or 802.11 hardware interface
</LI><LI>Malware: Software which uses resources to harm the host computer (viruses, spyware, etc)
</LI><LI>Modem: technically a device for connecting computers over analog phone lines but often used for any connector between a computer and a telephone or broadband network
</LI><LI>Network: Computers or devices connected for communication: telephones, printers, etc
</LI><LI>NIC: Network interface card. Almost always used to refer to a computer's built-in ethernet
</LI><LI>Open Source: Copyrighted software distributed with source code: free to use and modify
</LI><LI>Port: a physical connector for cables OR a specific protocol number at an IP address OR translation of a program from one OS to another
</LI><LI>Power Strip: Short, multi-outlet extension cord, provides no backup power or protection
</LI><LI>Rendezvous: Apple's brand name for a local network protocol, also called "Bonjour"
</LI><LI>RJ-11: the clip-in connector used for telephone cables, wall, phone and modem jacks
</LI><LI>RJ-45: the telephone-style connector at the end of most ethernet cables or within cards
</LI><LI>Router: A "smart" network node which can distribute network traffic
</LI><LI>Shareware: "Try before you buy" commercial software distributed on the honor system, to be purchased
</LI><LI>Sharing hub: A router (usually with DHCP server) which apportions one IP connection among many devices, similar to a telephone switchboard
</LI><LI>Shortcut: Windows' term for "alias" but sometimes short for multi-key combinations which execute commands as "keyboard shortcuts"
</LI><LI>Subnet: A network setting which much match for computers to see each other on a LAN
</LI><LI>Spyware: Software which surreptitiously "reports back" user activity without user knowledge
</LI><LI>Surge Suppressor: A power conditioner which sits between electronics and the wall outlet
</LI><LI>Switch: Usually a network device with some traffic management: faster than a hub but not as sophistated as a router or bridge
</LI><LI>Trojan Horse: a malicious program which relies on tricking the user into launching it, the sort of malware most likely to infect a Macintosh computer
</LI><LI>Upload: To transfer a file from your computer to a network such as the Internet
</LI><LI>UPS: Uninterruptible Power Supply, a battery which sits between your computer and the wall outlet, to provide temporary power in case of a "brownout" or emergency
</LI><LI>URL: Uniform Resource Locator, protocol and address such as "http://aol.com" or "mailto:president@whitehouse.gov"
</LI><LI>USB: Universal Serial Bus, an inexpensive peripheral connector popularized by the iMac: used for keyboards, printers, mice, digital cameras, flash drives, inexpensive hard drives, etc.
</LI><LI>Virus: A program which uses its host environment to replicate without user intervention, usually "malware" which damages files on the host computer
</LI><LI>WAN: Wide Area Network, usually larger than one workgroup or building
</LI><LI>WiFi: "Wireless Fidelity," marketing term for intermediate-range wireless IP connection
</LI><LI>Worm: A kind of malware which propogates itself, usually over a network to consume bandwidth
</LI></UL>]]></description>
         <link>http://macrory.com/blog/2006/08/glossary.html</link>
         <guid>http://macrory.com/blog/2006/08/glossary.html</guid>
         <category></category>
         <pubDate>Mon, 14 Aug 2006 12:00:00 -0800</pubDate>
      </item>
            <item>
         <title>Spreadsheet Basics</title>
         <description><![CDATA[If the word processor is an electronic replacement for the typewriter, spreadsheet programs are electronic ledger paper, allowing people to neatly arrange data and make calculations of all kinds. It was a spreadsheet called VisiCalc which helped small businesses first see the value of personal computers, but many users no longer appreciate the value of this simple gem. A spreadsheet allows you to arrange data into tidy rows and columns, then do amazingly consistent (or bewildering) things with that data.

This article is third in a series on <A HREF="">program types</A>, following our last article on <A HREF="">word processing basics</A>.


<H3>The Basic Interface
</H3><P>The most daunting thing about a spreadsheet to beginners is the relatively complex and intimidating interface. Unlike the inviting blankness of a word processor, a spreadsheet assaults us with a tight grid of lines. Seemingly designed to make the user feel rigidly constrained and sadly inadequate, these boxes are even called cells, as in a monastery or prison. Divided into horizontal rows (like in a garden) and vertical columns (like on a building) the spreadsheet's basic element is this intersection, the cell. The contents of a cell are frequently hidden to the uninitiated, squirreled away behind the curtain in an unassuming "formula bar" or "entry bar" toward the program's upper left, between the menu bar and the first few cells, which begin where column A intersects row 1 at cell A1. To edit a given cell one normally clicks on it (to select it) and then does actual entry in the spreadsheet's "entry bar."

<H3>Three Things Can Go Into a Cell
</H3><P>Some spreadsheets allow one to click directly into a cell and begin typing, while others require that one clicks or otherwise selects a cell to see or enter its contents into the formula or entry bar. Usually to the left of this bar are two or three crypic symbols: a checkmark (which says "yes"), a cross-out symbol ("x" for "cancel") and perhaps a scary-looking function symbol. The second great mystery of spreadsheets (behind the division into cells) is the three things that can go into a cell

<UL><LI>Numbers
</LI><LI>Text or
</LI><LI>A formula
</LI></UL>

Cells can be formatted to display numbers in various ways (as dates, times, currency or percentages) and with various colors and backgrounds, but understanding the basic truth of three things a cell contains is the first step in understanding the basic nature of the spreadsheet.

<H3>Numbers
</H3><P>Numbers in a spreadsheet can take the form of integers, percentages, decimals, currency, date or time, but the one thing they all share in common is that they represent a precise and discrete kind of data which can be expressed in digits and used in calculations. If you will be formatting a series of numbers as currency, percentages or whatever, the best way to do so is to select the entire cell, row or columnn you plan to format and then apply the formatting to the entire cell or group of cells, much as you would apply a word processing paragraph style. This will keep your data as "pure" and flexible as possible, without mucking it up with symbols and punctuation. Some programs will allow you to type your numbers in unmolested and some will "help" you by making assumptions and applying formats (dates especially!) without checking. Understanding how to format numbers as an attribute of a cell/row/column and how numbers differ from text is the main thing to understand. If you wish to format an entire cell or column, click on a column's head letter (or row's leftmost label number) to first select it in its entirety. To format an entire spreadsheet, click the "magic box" just up and left of cell A1.

<H3>Text
</H3><P>Text usually takes the form of typed labels or words, and putting text next to rows or columns to clarify what they represent is probably the best habits anyone who creates spreadsheets can acquire. A simple text label clarifies many things, and small bits of text placed in the corners of variously-sized and merged cells is also a handy way to create quick and passable forms to be printed and filled in later by hand. Sometimes if a spreadsheet won't display your text the way you want it to, you can preced it with a quotation mark or format the cell/row/column to display as text rather than a number or calculation.

<H3>Formulas
</H3><P>A formula is a calculation which takes the content of at least one other cell and manipulates or changes it in some way. Sometimes this is something simple (such as a text concatenation which combines the data from a "firstname" field with a space and the data from a "lastname" field to display a full name) and sometimes it is a very sophisticated function, drawn from the obscure bowels of finance and a secret chamber deep within a program's help file. Most of the time formulas are basic algebraic operations such as addition ("+"), subtraction ("-"), multiplication ("*") and division ("/") nested in various parentheses just as in basic algebra. Almost every spreadsheet invented begins any cell containing a formula with the equals sign ("="). Among the more common functions are concatenation (for text) and sum or average for numeric data. If you want the result of a formula to display in a format such as currency or percentage, format the cell to do so, just as you would for a number.

<H3>Good Hygiene
</H3><P>

<UL><LI>Label your spreadsheet as clearly as possible
</LI><LI>Always include a header and/or footer
</LI><LI>Include no more worksheets than are necessary
</LI><LI>Use comments, if available, to make your work clear
</LI><LI>Try to make the spreadsheet fit logically on a page or two
</LI></UL>

<H3>Using Spreadsheets for Tables and Forms
</H3><P>In the real world most users use spreadsheets for extremely simple tasks: basic ledgers, tabular data or information-gathering forms. A spreadsheet can be arranged, for example, to visually resemble a printed form such as an IRS 1040-EZ or the HCFA-1500 medical billing form. Spreadsheets are often used to arrange simple tables of data for such things as address, shopping or inventory lists where one column represents a kind of data (what in database terminology would be called a "field" such as first name, last name or zip code) and each row represents a person or other item. Most useful workaday spreadsheets are rarely more complicated than a payroll sheet, a checkbook or an automobile log which automatically calculates miles-per-gallon, but the basic rules of a good spreadsheet still apply: include a descriptive header and footer, label columns and cells as clearly as possible, and consider including an automatic date and page number for any header which will be printed, potentially dropped or need filing. For most internal forms, a spreadsheet with hidden gridlines and an intelligent use of cell borders is far simpler than building the same thing in a word processor or page layout program, and although such forms are not as beautiful, they do encourage rapid deployment and quick revision.

<H3>Storing, Sorting and Summarizing
</H3><P>Arranging data in a table is one of the simplest ways to organize and review it, and some use spreadhsheets primarily as graph paper. Once arranged, entire rows of data can be selected and sorted quickly, and often summarized in cells near the top of a table with such simple formulas as "count," "countA," "countIF" or "average."

<H3>Graphs and Charts
</H3><P>Another common and valuable use of spreadsheets is to use data in a table to chart or graph data with line charts, pie charts, histiograms and others. With a bewildering array of chart types available, most users would do well to use this feature sparingly and with only simple charts. The bewildering array of chart types and options in most spreadsheet programs can easily lead to numeric nonsense and statistical non-sequitors, especially with such tempting options as "3D" and "drop shadow" to lure naive users into extraneous chart junk.

<H3>Chart Junk
</H3><P>"Chart junk" is Edwart Tufte's felicitous phrase to describe ink or visual objects which provide no data and cause visual confusion, in violation of what he calls the "data to ink ratio." In his brilliant book <CITE>The Visual Display of Quantitative Information</CITE> Tufte takes this aesthetic to places of pristine beauty, but the main message for most people who use spreadsheets is to turn OFF a lot of the distracting "features" such as unnecessary lines and grids. The spreadsheet's ability to generate fancy-looking graphs and charts is the place where this sort of junk is most egregious.

<P>Almost every spreadsheet has a feature which lets the user select a series of cells and then "chart" that data as a pie chart, histiogram or line graph, usually with disastrous results. Although convenient for simplistic illustrations, the average user should avoid this function unless they understand something of the basic mathematics involved, and even the simplest of charts will be more effective if one takes the time to go in and turn off a lot of the "fritterware" window-dressing options such as extraneous grid lines and three-dimensional shading which add extra ink without conveying data. A basic diagram which shows the general trend and then has numbers nearby is almost always preferable to a thicket of lines and labels, so dense as to be illegible.

<P>This is not to dissuade the user from judicious use of graphs and gridlines and shading where it increases legibility and clarity, but to encourage one to consider how much is enough. Of the data and ink on the page, how much increases insight and provides needed detail and how much clutters with crap or distracts with detritus.

<H3>Try It!
</H3><P>Whatever your current level of familiarity and comfort with spreadsheet programs, I encourage you to take a few minutes each week to stretch and learn a little bit more. Spreadsheets can be a very useful tool, and even a little bit of knowledge can go a long way. For more specific instruction, help or tutorials, please consider phoning Mac Rory at (360) 695-6929.

<H3>Links...
</H3><P>

<UL><LI><A HREF="http://en.wikipedia.org/wiki/Spreadsheet">http://en.wikipedia.org/wiki/Spreadsheet
</A></LI><LI><A HREF="http://spreadsheets.google.com">Spreadsheet.Google.com online spreadsheets
</A></LI><LI><A HREF="http://www.usd.edu/trio/tut/excel/1.html">University of South Dakota introduction to spreadhseets, very basic
</A></LI><LI><A HREF="http://www.scs.k12.tn.us/technology/trpages/aw6ss/awss1.html">A similar Tennessee tutorial, with a little more detail, including good screenshots
</A></LI><LI><A HREF="http://www.apple.com/appleworks/tips/_nak.ssbasic/">Excellent AppleWorks spreadsheet tutorial, best for beginners
</A></LI><LI><A HREF="http://www.uen.org/utahlink/tours/tourViewCategory.cgi?category_id=18613&tour_id=13811">Utah Education Network spreadsheet tutorial using Excel
</A></LI><LI><A HREF="http://spreadsheets.about.com/">Carla Jolley's spreadsheet column at About.com
</A></LI><LI><A HREF="http://www.tutorialsforopenoffice.org/tutorial/First_Time_User_Calc.html"> A click-by-click tutorial on using the Open Office spreadsheet "Calc"
</A></LI><LI><A HREF="http://online.videoprofessor.com/pages/courses/courselistadvanced.aspx?psid=175&ref=00000000000000000000000000000">Video Professor has several onscreen video tutorials available for purchase
</A></LI><LI><A HREF="http://junkcharts.typepad.com/junk_charts/">JunkCharts.typepad.com, educational recycling of terrible design
</A></LI><LI><A HREF="http://www.macacademy.com/volumes/index2.cfm">Mac and Windows Academy offers training videos on a variety of spreadsheet programs
</A></LI><LI><A HREF="http://mrexcel.libsyn.com/">Bill Jelsen's excellent "Mr Excel" video podcasts
</A></LI></UL>

]]></description>
         <link>http://macrory.com/blog/2006/08/spreadsheet_basics.html</link>
         <guid>http://macrory.com/blog/2006/08/spreadsheet_basics.html</guid>
         <category></category>
         <pubDate>Mon, 07 Aug 2006 12:00:00 -0800</pubDate>
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